“There are several reputedly ‘national’ positions or approaches. Serbian intercourse (srpski jeb) is mock rape – you throw her down, seize one ankle in each hand and raise them over her head, then enter her with your full weight (do this on something soft – the traditional bare earth is beyond a game).” Alex Comfort, “The Joy Of Sex”, 1972.
In his late teens Russell Senior took a trip around Europe, returning with a smattering of obscene Russian slang and a taste for Eastern European folk music. The outlet for these would eventually be Srpski Jeb, a song so ridiculous that it feels a bit silly to be writing about it at all, but here we are.
Over a pounding Slavic rhythm – a semi-competent pastiche using entirely inappropriate instruments – Russell repeatedly chants a single four-line verse about a “village maiden” and her masochistic sexual fantasies. The rhythm gets faster and faster, suddenly stops for five seconds, then starts again from the beginning. The effect is convincing enough – in its own way – but I thought I’d seek out a couple of genuine Slavs, to see what they make of it.
I don’t regard the song as offensive at all, although it pretty much depends on what audience it is addressed to. I mean the song is not ridiculing anyone – the “soviets” are a very vague category (it probably means communist Russians) and I think the girl in the lyrics just expresses preference for Serbian men. We have quite a few songs in Czech that are much more offensive. I don’t think that me being a Slavic speaking person changes anything on that judgment. I think that the pulp went to Yugoslavia in 1984 and met some Yugoslavian punkers who taught them this song that was all the rage there at the time! – Jan
I laughed out loud. – Marketa
To be fair to ‘Sprksi Jeb’ it’s silly enough that any dubious content can’t be taken seriously at all. As a piece on its own it’s a silly bit of escapist fun – brief, funny and enjoyable, but within the story of Pulp it’s the first sign of a movement. As the group found they enjoyed playing pseudo-Slavic folk music it would become a major part of their sound towards the end of the decade, and you’d never guess it started with something as ludicrous as this.